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The truth about me

It had been a morning like any other in the office, me battling my usual demons, oblivious to the fresh hell the next call would bring. That day, I met Raphael De’Angelo for the first time.

De’Angelo turned out to be the most intolerable client I’d ever had the misfortune of encountering. For reasons beyond my comprehension, he seemed hell-bent on destroying me, and I couldn’t escape the powerbroker’s immense reach. Cornered, I was left with no other option but to fight back.

Though I am weary and scarred, our battle is far from over. No-one can predict the outcome. However, I am ready to tell the world where it all began, starting with the truth about De’Angelo, who he is and what he did to me.

My real name is Nicole Hill. I’m twenty-six years old and I work in the city. I am fairly ordinary except for one very bad thing I did five years ago… Click link to continue reading my story https://www.amazon.co.uk/Krish-Part-N-J-Bhogayta-ebook/dp/B07J2N1QL1/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1538828392&sr=1-2&keywords=krish

 

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How to write a synopsis

Following on from When to submit to literary agents? and How to write a cover letter, here’s my experience of writing a successful synopsis.

At the start, I’d assumed a synopsis is essentially the flashy blurb on the backs of book covers. It is not. The blurb, though exciting, provides a mere gist about the novel, whereas a synopsis, equally enticing, outlines the whole story including the ending. That is not to say every twist and turn has to be declared. The key characters and major plot points are sufficient to give the agent/commissioning editor an idea of what to expect, and compel them to read the manuscript.

The length and level of detail required varies by agency. Between one to three pages is common. There in lies the challenge, condensing a ninety thousand word book into a single page. By the way, these are at least 1.5 line spaced pages with size 12 point text, which further limits the amount of information one can squeeze in.

On learning this, my initial reaction was horror, thinking I would never be able to shrink all the twists and turns of the story into three pages, let alone one. However, forced to do so, I deployed a simple technique. I pulled out the most salient points from each chapter and summarised them into a maximum to two sentences. Those formed the basis of my detailed synopsis.

The next step involved reducing the document down to a single pager, which turned out to be fairly painless as I picked the main sentences which best conveyed the storyline.

The reduction exercise yielded additional, unforeseen benefits:

1. As I re-read the chapters, editing requirements which hadn’t been addressed came to light.

2. Listing the main points of the book in the order they occur, highlighted the structure and flow of the story and where they could be improved.